Purple Crocus in Sunlight

Purple Crocus in Sunlight, 2011

Colored pencil on paper

6.5 x 5 inches

© 2011 Susan M. Lohse.  All rights reserved.

Previous to this drawing, I’d never employed monochromatic underpainting.  However, accurately capturing the values in the crocus petals was essential to the results I wanted to achieve, so I used lilac to underpaint them first.  I then applied additional colors to attain the ultimate hues I wanted.

I’m pleased with the result.  The drawing reminds me of the vintage botanical illustrations I admire so much.

Reynolds Family Winery, Napa, California

Reynolds Family Winery, Napa, California, 2011

Graphite on paper

12 x 8 inches

From a photograph by Elizabeth Weinberg

Private collection

© 2011 Susan M. Lohse.  All rights reserved.

Drawing this complex scene stretched my skills and made me a better draftsman.

Morning Sunlight

Morning Sunlight, 2011

Graphite on paper

4 7/8 x 6 inches

© 2011 Susan M. Lohse.  All rights reserved.

For me, making art involves constant inner debate—whether to make something traditional or unconventional, something within or outside my comfort zone, something that is more likely to be admired by the majority or something that simply satisfies me.

As hard as it can be to break the mold, I find I’m more satisfied if I push my boundaries and try new things, be they media, techniques, styles, compositions, etc.  Some results are more successful than others, but the personal growth is invaluable.

Cranesbill

Cranesbill, 2011

Colored pencil on paper

5 x 5 inches

© 2011 Susan M. Lohse.  All rights reserved.

There’s nothing like taking a closer look and noticing something one would never have seen otherwise.  It’s like discovering treasure.

In reality, this cranesbill was white.  While I was struck by the perfection of the bloom, at first I didn’t think it would make an interesting enough subject.  But upon closer inspection, I saw subtle blues, lavenders and greens in the petals, and I had to draw it.

Dianthus

Dianthus, 2011

Graphite on paper

6 x 4 5/8 inches

© 2011 Susan M. Lohse.  All rights reserved.

My drawings begin with studying my reference.  However, as the piece progresses, my reference almost becomes secondary as I gradually transition to being more concerned about how the artwork reads.  I make adjustments that might not be there in reality, although the reference remains the basis for how to achieve what I want to convey.

A good resource about this and other creative concepts is Passport & Palette, a PBS series that features plein air painting.  It’s more a wide-ranging discourse on the creative process than it is the usual how-to, although it includes some of that, as well.  If you haven’t seen the series, I recommend checking it out.