Friday, August 24, 2012

Entrance I

Entrance I, ink and watercolor
Entrance I, 2012
Ink and watercolor on paper
6 x 4 1/2 inches

© 2012 Susan M. Lohse.  All rights reserved.

Recently, I’ve been researching pen and ink artists and their techniques more intently.  As part of my studies, I re-read a free e-book from Artist Daily:  Pen and Ink Drawing Techniques:  Drawing with Ink to Create Art with Strong Contrast and Surprising Subtlety.

The e-book offers a great deal of insight into how different techniques render different results.  Especially helpful is the explanation about the difference between the European and American pen and ink traditions. 

Pen and Ink Drawing Techniques gives examples of each of these styles, but there are two contemporary artists I study that illustrate the difference, as well:  Nicole Wong usually follows the American tradition, where her hatch marks run along the form to suggest volume.  Tommy Kane follows the European tradition, where he uses hatching and crosshatching around the form to model his images.

While I’m an admirer of the European tradition, I’m drawn to the light, fresh and (deceptively) simple look of the American tradition.  Neither style is better than the other, of course.  Whichever one an artist chooses to use depends on personal preference and the results he or she wants to achieve. 

I highly recommend the Pen and Ink e-book.  To download a copy for yourself, you’ll need to register at Artist Daily, but it’s free, painless, and you’ll have additional access to information that will enhance your practice and knowledge of art.

Sunday, July 22, 2012

Patio Garden

Patio Garden, ink and watercolor
Patio Garden, 2012
Ink and watercolor on paper
6 x 4.5 inches

© 2012 Susan M. Lohse.  All rights reserved.

I’ve been working on an intensive colored pencil project, so it was nice to take a break by doing something quick and loose.

Wednesday, June 27, 2012

Fuchsia

Fuchsia
Fuchsia, 2010

© 2012 Susan M. Lohse.  All rights reserved.

I couldn’t resist photographing this fuchsia, with its vivid colors and elaborate folds.  These exquisite flowers remind me of Georgian ball gowns, complete with panniers and furbelows.

Wednesday, June 6, 2012

Between the Drive and the Boulevard

Between the Drive and the Boulevard, colored pencil
Between the Drive and the Boulevard, 2012
Colored pencil on paper
6 x 4 inches

© 2012 Susan M. Lohse.  All rights reserved.

After trying several papers over the years, I think I’ve finally found my preferred support for colored pencil:  bristol board with a vellum finish.

Bristol vellum has just enough tooth for adequate layering, but not so much that the tones look overly grainy without burnishing.  (Depending on the subject matter, I often prefer a little graininess when working with pencils.)  I’m also able to achieve what I want to with more defined pencil strokes.

Light graphite erases from bristol vellum relatively easily, and I’m able to adequately lift color with a kneaded eraser.  My kneaded eraser is as important a drawing tool as any pencil, so the latter benefit is important.

The other side of the bristol vellum I’ve used has a smooth finish, although I found that it’s too smooth for adequate colored pencil layering.  However, I understand that a smooth surface like this works well for photorealistic graphite drawing, which I have yet to test for myself.

Monday, May 28, 2012

It's Abby's World

It's Abby's World
It’s Abby’s World, 2012

© 2012 Susan M. Lohse.  All rights reserved.

I’ve always enjoyed seeing the studio mates of my fellow art bloggers (see here, here, here, here and here).  I hadn’t intended to share photos of my studio mate, but I couldn’t resist taking and posting this picture of Abby the Tabby today.
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